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BLACK SUNDAY ORIGINAL SOUNDTRACK

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  • Genre: Acid Rock
  • Genre: Experimental
  • Genre: Gothic Metal
  • Genre: Noise
  • Genre: Noise Rock
  • Genre: Sludge
€9.99 -50% €5.00

Noise Trail Immersion ‎– Symbology Of Shelter - CD-Digi

Symbology of Shelter sees ever more dissonant black metal influences seeping into Noise Trail Immersion's chaotic music, balanced out by traces of post-metal utilized to make the group's compositions more dynamic and versatile.
Noise Trail Immersion thrives on fusing chaos and calm in an emotionally rousing manner both mournful and vitriolic throughout Symbology of Shelter. The album kicks off knee deep in disgust and aggression, seething endlessly on cuts such as opener "Mirroring", while showcasing an ambitious side and somber vibes of an entirely different nature on the album’s double dose of two-part songs, beginning with "Repulsion and Escapism Parts I and II", then returning later on the album to the journey contained between “The Empty Earth I” and “The Empty Earth II”.

€14.99 -50% €7.50

Tons ‎– Filthy Flowers Of Doom - CD-Digi

"Filthy Flowers of Doom" is Tons' second full length album.
40 minutes divided into five tracks of in your face doomy sludge metal.
Slabby and Luciferian riffs, tight drumming and a demonic voice characterize the last effort from the Turin band, now with a new drummer and a second guitar. Low-league occultism and weed devotion are the basis of this muddy album that will drag you into a sulphurous and sabbathian void.

“Filthy Flowers of Doom” is recorded by Danilo “Deepest Sea” Battocchio, while mastering is helmed by Brad Boatright (Sleep, NAILS, Obituary) at Audiosiege (USA). Let the Doom goes on.....

€14.99 -50% €7.50

Killer Boogie ‎– Acid Cream - CD-Digi

Acid Cream" marks the fuzzy comeback of KILLER BOOGIE. Gabriele Fiori and Luigi Costanzo are joined by the new bassist Nicola Cosentino on this 11 track long trip. The new album is inspired by the crazy days of the late 60s and the 70s, with a pinch of proto-punk and proto-metal feeling in the sound of this sophomore incredible album. This album is filled with riffs that will please all fuzz & muff lovers.

€14.99 -50% €7.50

Dzjenghis Khan ‎– Dzjenghis Khan - CD-Digi

One of the most important Psych - Acid Rock albums of the new millenium. The Dzjenghis Khan self-titled debut album was released in 2007 by the Dutch indipendent label Motorwolf. The San Francisco based band Dzjenghis Khan featured bassist Carson Binks (also in Wild Eyes and Saviours), drummer Tommy Tomson and guitarist Lane Rider. This record reflects the musical scene of that era and it's still a raw acid rock pearl! Heavy Psych Sounds Records is so proud to bring back to the current audience a piece of real Acid Rock. Dzjenghis Khan was one of the first bands to bring back the “psych sound”, in a time where there was not real audience, we can say they've been pioneers after the pioneers!

€14.99 -50% €7.50

Deadsmoke ‎– Mountain Legacy - CD Digi

Mountain Legacy is an album exploring something fundamental to humanity: ISOLATION.
The illusion of silence, which is a natural non-existing concept, is perfectly described by synthetized sounds and noises of the newly acquired band member Claudio Rocchetti (In Zaire). These sounds are missing on the first self-titled release of Deadsmoke, so now the old tracks have been enriched and new ones have been composed providing a consistent psych-disturbed synthetized sound. Six brand new tracks featuring deep guitar fuzz and growling bass take the listener on a journey through the woods, alternating lightly groovy rhythms with sludge-doom cadences.

Lleroy ‎– Dissipatio Hc - CD Digi

“Dissipatio HC” is the third effort from Italy’s hardest-hitting power trio Lleroy. Hailing from the central wasteland of the country they deliver a tight yet brutal pummeling assault filled with uptempo, syncopated power beats, razor-sharp guitar riffing and over saturated vocals – the ideal soundtrack for a trainwreck headed over a kindergarten.

FFO: Unsane, Melvins, Cows and the good ol’days of AmRep records.
Art by Thomas Ott.